존 스터지스의 영화 "노인과 바다"의 원작에 대한 충실도에 대해 논하고, 영화 속 음악의 중요성에 대해 분석하시오.

소개

"영화 "노인과 바다"의 원작에 대한 충실도에 대해 논하고, 영화 속 음악의 중요성에 대해 분석하시오."에 대한 내용입니다.

목차

I. Introduction

II. Main Thesis
II-A. The tools for fidelity inside the film The Old Man and the Sea
II-B. Narration inside The Old Man and the Sea; overdone, misplaced, and inconsistent
II-C. Music: Breathing life back into the film

III. Conclusion

본문내용

John Sturges’ 1958 movie The Old Man and the Sea is a film adaptation based on the eponymous novel of Nobel Prize-winning author, Ernest Hemingway. As film critic Christopher Lloyd comments, the movie is widely recognized as “a faithful adaptation” of the original novel. It also contains artistic values of its own, winning an Academy Award and the lead actor, Spencer Tracy, being awarded Best Actor at the National Board of Review Awards.
However, other critics are not so approving of the qualities of the film. Moira Walsh calls the emotional impact of the film “second hand” due to its almost excessive, but slightly imperfect, resemblance to the novel. She also points out the lack of dialogue and the “paddedness” of the narrative, which can be connected to some audience calling the film ‘a bit boring’.
This mixed acceptance brings up two questions: one is ‘How does the film gain enough fidelity to be called extremely “faithful”?’ and the other is..

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참고자료

· Christopher Lloyd, Sarasota Herald-Tribune, https://www.rottentomatoes.com/m/1070233-old_man_and_the_sea/reviews, 6/9/2010 (Title indefinite)
· Moira Walsh, FILM and TV, The Catholic World,
· https://archive.org/details/sim_the-catholic-world-a-monthly-magazine_1958-11_188_1124/page/150/mode/1up?view=theater, 11/1958.
· Clyde Gilmour, Maclean’s Magazine,
· https://www.rottentomatoes.com/m/1070233-old_man_and_the_sea/reviews, 2/12/2019 (Title indefinite)
· Theodore Sourav Palma. (2025). The Old Man and the Sea: A Manual of Biblical Teaching and Preaching. South Eastern European Journal of Public Health, 461–466. https://www.seejph.com/index.php/seejph/article/view/4333?
· Camus, Albert. The Myth of Sisyphus. of Penguin Modern Classics. Penguin, 2000.
· Eddins, Dwight. (2001). Of Rocks and Marlin: The Existentialist Agon in Camus's The Myth of Sisyphus and Hemingway's The Old Man and the Sea. The Hemingway Review. 21. 68-77. 10.1353/hem.2001.0013.
· https://www.researchgate.net/publication/236749230_Of_Rocks_and_Marlin_The_Existentialist_Agon_in_Camus's_The_Myth_of_Sisyphus_and_Hemingway's_The_Old_Man_and_the_Sea
· Balázs, Béla, and Rodney Livingstone. Bela Balazs: Early Film Theory: Visible Man and The Spirit of Film. Edited by Erica Carter. 1st ed. Berghahn Books, 2011. http://www.jstor.org/stable/j.ctt9qch5p.
· Bosley Crowther. Hemingway; 'Old Man and the Sea' Stars Spencer Tracy. The New York Times. 8/10/1958.
· https://www.nytimes.com/1958/10/08/archives/hemingway-old-man-and-the-sea-stars-spencer-tracy.html
· Jonathan Rosenbaum, Chicago Reader,
· https://www.metacritic.com/ovie/the-old-man-and-the-sea/critic-reviews/ (Date and title indefinite)
· INTRADA. THE OLD MAN AND THE SEA (2CD RE-RECORDING) - MORE INFO. 2024.
· https://store.intrada.com/s.nl/it.A/id.13148/.f
· Stam, R. (2000). "Beyond Fidelity: The Dialogics of Adaptation" in James Naremore, ed., Film Adaptation (New Brunswick: Rutgers, 2000). pp. 54-76.
· https://nyuscholars.nyu.edu/en/publications/beyond-fidelity-the-dialogics-of-adaptation-in-james-naremore-ed-