Director KIm-Gi-Duck : His potential In The Film Text

소개

<영어강의 리포트입니다. 참고자료나 첨부문건 외에는 영어로 쓰여져 있습니다>
김기덕 감독의 영화 빈집을 중심으로 그의 작가로서의 능력과 잠재력을
분석하는 글입니다. 영화론 과제로 작성한 리포트입니다.

목차

Director KIm-Gi-Duck : His potential In The Film Text
-The purpose of this paper is to analyse author Kim gi-duck`s unique aspect.

Introduction
symbol and metaphor
Fantasy
Kim gi-duk`s potential as a author
Conclusion

본문내용

Introduction
Among his 12 pieces of film, 9 film scenario were written by him. And his
films contains consistent mode. His story is small in its scale, but the
audience never feel his film as small scale. It shows his ability as an author.
He made the meaning of the film as philosophical and social things through
symbol, metaphor and fantasy. Thus this paper will find the relationship
among the symbol, metaphor and fantasy in his film, empty house(iron-3)
and will analyse about his potential as a author.<중략>

Fantasy
There`s some difference in degree, but narrative of his film is mainly
consisted of symbol and metaphor. However, the real power of his film is
came from the fantasy which was based on the symbol and metaphor. In this
film, fantasy -that was based on the symbol and metaphor- was used too.
Fantasy begins with a scene that Tea-suk exercises `became a shadow` in
the prison. But audience doesn`t think that fantasy begins from this scene.
The reason is that audience already attracted in the mood that was made by
symbol and metaphor. <중략>

참고자료

· http://www.nkino.com/people/people
· http://www.movist.com/people/people
· http://www.sonyclassics.com/3iron/
· 조하형 《상처는 터지지만 아프지 않다 - 김기덕 ; 나쁜남자》(2003년 동아일보 신춘문예 영화평론 당선작)
· 강영숙 《실어증 환자들의 빈집 순례 - 김기덕 ; 빈집》(2004년 겨울 창작과 비평)
· 김기덕외 《김기덕, 야생 혹은 속죄양 33-40p》(행복한 책읽기)