오카모토 잇페이(岡本一平)와 만화만문(漫画漫文), 그리고「조선만화행(朝鮮漫画行)」 (Okamoto Ippei and Manhwa Manmun(漫画漫文), and “Joseon Manhwa Haeng(朝鮮漫画行)”)

서지정보

· 발행기관 : 한국외국어대학교 일본연구소
· 수록지 정보 : 일본연구 / 74호 / 7 ~ 28페이지
· 저자명 : 강소영

초록

本稿では岡本一平が新しく作った漫画形式である「漫文漫畵」と1927年8月2日から31日まで『東京朝日新聞』に連載された漫文漫畵の「朝鮮漫畵行」を通じて一平が描いた「朝鮮」を考察した。「朝鮮漫畵行」は、日本人の朝鮮旅行を促進するために書かれたが、朝鮮が持っている「精神張力」の深さを、笑いの芸術及び様々な文化の解釈を、漫画という具体的対象と文章という抽象的思考の媒介体を通じて生かした作品である。植民地支配について痛烈な批判はしていないが、日本帝国主義という国家の一方的戦略によって形成された朝鮮観ではなく、芸術家の岡本一平の芸術的霊感と眼差しを通じて朝鮮が力動的に形状化された。　本来、時事漫画によく見られる、帝国主義が植民支配について下からの共感を形成させ、大衆を動員する役割から離れ、絵(漫画)と文章というテキストの形式を生かして朝鮮語と食文化、笑いの芸術、観光名所の紹介、在朝日本人への眼差しなどを比較的バランスの取れた視角から描写、紹介したといえよう。

영어초록

In the present paper, we studied the “Joseon,” drawn by Okamoto Ippei(岡本一平) in a new form of cartoon that he created called “Manhwa Manmun,” and the “Chosen Manga Kou(朝鮮漫畵行),” which was also in the form of Manhwa Manmun and published serially in the Tokyo Asahi Newspaper from August 2 to 31, 1927.
While “Chosen Manga Kou” was originally drawn to promote trips to Joseon by the Japanese people, through conducting interpretations on the art of laughter and various pieces of culture related to the depth of “mental tension” that Joseon had, it became a piece that was given life through the concrete subject of cartoons and the medium of abstract thought of sentences.
The cartoon does not sharply criticize the colonial rule of Japanese imperialism. However, rather than being a view of Joseon shown through the unilateral strategy of the nation that is Japanese imperialism, it dynamically depicts Joseon through artistic inspiration and the viewpoint of the artist Okamoto Ippei.
Departing from the role of rallying the general public by creating consensus from the bottom of colonial rule that often appeared in editorial cartoons, it can be said that this work took advantage of the form of text, using sentences combined with pictures (cartoons) to describe and introduce the Joseon language and food culture, the art of laughter, tourist attractions, views on Japanese living in Joseon, and so forth, from a relatively balanced viewpoint.

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