Architecture and Artistic Function : Fanny Hensel’s Uses of Different Musical Spaces at Leipziger Strasse 3, Berlin

서지정보

· 발행기관 : 한양대학교 음악연구소
· 수록지 정보 : 음악논단 / 34권 / 185 ~ 232페이지
· 저자명 : 김현주

초록

The Sonntagsmusiken (Sunday Musicales) that Fanny Hensel organized at her Berlin family residence are generally considered the principal artistic outlet for her music-making and for the assertion of female power. Most studies of Fanny’s musical activities have focused on the issue of music and gender—the exceptional circumstance of a woman making music. This paper reorients the focus on the subject toward Fanny’s uses of the distinctive musical spaces available in her family residence. Based on her diaries and correspondence as well as iconographic sources on her residence, the paper, first, contextualizes Fanny’s musical salon in relation to distinctive aspects of Berlin salons hosted by a handful of prominent Jewish women; second, demonstrates how astutely Fanny assessed the spaces available to her as effective musical properties; and finally, illuminates how she lent each space a different function, rhetoric, and aesthetic in accordance with the different types of musical activities of her audiences and herself.

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