“現代性”維度下的金庸武俠小說硏究 (A Study on Jin Yong's Martial Arts Fiction in the Modern Dimension)

서지정보

· 발행기관 : 한국중국학회
· 수록지 정보 : 중국학보 / 101호 / 381 ~ 398페이지
· 저자명 : 왕러

초록

本文在新世纪金庸武侠小说已成文学“经典”的形势下，试图整合既有的金庸研究的现代性思路，将金庸武侠小说创作放入一个世界“现代性”的理论视界之下，论述其武侠小说在20世纪特别是90年代，在文学、文化、社会等多维度的空间中所展示出来的“现代性”品格，特别是对“90年代”如何成为金庸小说现代性研究的关键词做了较为详尽的分析。强调金庸的武侠小说创作同样深受五四以来的新文学观念的影响，小说中一直高扬着现代“人”的观念，强调人的独立、正义和自由的精神，把人从几千年传统习俗形成的伦理规则中解放出来，也不无其极地深刻透视了现代人性当中的所有弱点和人性深处灵魂的创伤。与此同时，金庸武侠小说深深地流露了现代人在20世纪动荡的社会“进步”历史运动中所体验到的现代悲观情绪。
“越是民族的就越是世界的”，纵然金庸武侠小说中体现出多重的“现代性”特征，而究其实质，金庸武侠小说体现了浓厚的“民族现代性”特征，使得其在华语文学阅读圈中获得了巨大的成功。所以，本文认为：金庸武侠小说的存在不仅仅是一种小说类型和文学产品，而更多表现出来的是对于这个时代的一个“现代性”的文本标志，充当了一个现代性时间的参照物。因为，金庸武侠小说从文本特征上看，既代表传统文学的延续，又有对大众文学领域里先锋式的开拓；从时间性维度看，它既代表过去（创作中的文本时间），又代表未来（新的阅读时代）；从文本精神结构上看，它既代表对于过去历史的想象还原，又代表对于现代历史的反思。仿佛这一切都在“现代性”的变动之中，带动了金庸武侠小说的阅读与研究的影响更加深广。
所以，金庸的武侠小说创作从古典小说开始进行改造和革新，深度地渗入了作者自己对于现代性的多种人生和历史体验，最后又回到更具民族特征的现代性书写，从而使得他的武侠小说创作在中国文学史及更大的华语圈中获得了巨大的成功，并攀上了现代文学“经典”的地位。

영어초록

Under the situation that Jin Yong's martial arts novels have become literary "classics" in the new century, this paper attempts to integrate the existing modern thinking of Jin Yong's research, put the creation of Jin Yong's martial arts novels under the theoretical vision of "modernity" in a world, and discuss its In the 20th century, especially in the 1990s, martial arts novels displayed the "modernity" character in the multi-dimensional space of literature, culture, society, etc., especially how "the 1990s" became the key word in the modernity research of Jin Yong's novels. a more detailed analysis. It emphasizes that Jin Yong's martial arts novels are also deeply influenced by the new literary concepts since the May Fourth Movement. The novels have always raised the modern concept of "human", emphasized the spirit of human independence, justice and freedom, and changed people from thousands of years of traditional customs. Liberated from the ethical rules formed, it also profoundly penetrates all the weaknesses in modern human nature and the wounds of the soul deep in human nature. At the same time, Jin Yong's martial arts novels deeply reveal the modern pessimism experienced by modern people in the turbulent social "progressive" historical movement of the 20th century.
"The more the nation is, the more the world is." Even though Jin Yong's martial arts novels reflect multiple "modernity" features, in essence, Jin Yong's martial arts novels embody strong "national modernity" features, making them popular in Chinese Great success in literary reading circles. Therefore, this paper believes that the existence of Jin Yong's martial arts novels is not only a type of novels and literary products, but more of a "modernity" textual sign of this era, serving as a reference for modernity time . Because, from the perspective of textual characteristics, Jin Yong's martial arts novels not only represent the continuation of traditional literature, but also the pioneering development in the field of popular literature; from the perspective of time, it represents both the past (the time of the text in the creation) and the The future (a new era of reading); from the perspective of the spiritual structure of the text, it represents both an imaginative restoration of past history and a reflection on modern history. It seems that all this is in the change of "modernity", which has led to a deeper and wider influence on the reading and research of Jin Yong's martial arts novels.
Therefore, Jin Yong's martial arts novels began to be transformed and innovated from classical novels, deeply infiltrated the author's own various life and historical experiences of modernity, and finally returned to modernity writing with more national characteristics, thus making his The creation of martial arts novels has achieved great success in the history of Chinese literature and the wider Chinese-speaking circle, and has climbed to the status of "classics" in modern literature.

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