아니슈 카포(Anish Kapoor): 공과 색, 이름을 넘어서 (Anish Kapoor: the emptiness and the objectness, beyond the name)

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초록

This essay aims to interpret the works of Anish Kapoor by the concept of 'Emptiness' which is one of the core concept of Mahajana Buddhism. The concept of 'emptiness'had developed by Nagarjuna who was a Mahajana Buddhist scholar through the theory of middle way. Nagarjuna insisted that the 'emptiness' of the being should be explained by middle way only, why the 'emptiness' is neither object nor non-oject. The main phrase of Paramita Sutra, 'the emptiness is objectness, the objectness is emptiness' has been considered as a epigram which expresses a truthful reality of being.
A series of works of Anish Kapoor which are made of mirror surface, <Cloud Gate>, <Sky Mirror>, <Vertigo> etc.
can be interpreted by the Mahajana Buddhist concept of 'emptiness', the reason why they arouse a ambiguous perception, neither of objectness nor non-objectness. Actually Anish Kapoor have been a Buddhist, he had made the work in the name of <Void Field>. Hommi Bhabha insisted that a series of works of Kapoor aimed to 'making emptiness' by arousing the doubt of identity of works to the spectators.
Many of Kappors works have the uncertainty and non-determinancy of identity. For exemple, in <1000 names>,spectators can't discern the identity which is made by a heap of colour powder or painted colour surface. In <Svayambh>, it is uncertain who makes the works. In <Marsyas>, it is uncertain where is inside or outside. The ambiguity of perception leads the spectator to doubt to the commonly perception, and then to the emptiness of the meaning of names, the emptiness of the commonly judgement, and the emptiness of subject of judgement.
Mahajana Buddhist teaches 'there is no subject in sensation, perception, representation, action, conscience','there is no subject in Dharma(universal law).' The man who gains enlightenment have not attachment anymore and anywhere, he frees from pain of life, he lives in peace. The core guidance of Majajana Buddhism is '4 holy law', that is 'pain-attachment-elimination-nirvana', that is who can understand the truth which the pain is aroused by attachment, therefore to eliminate the attachment, he reach the nirvana(peace). The root of attachment is illusion; there is a substantial subject, there is a substantial object. The deep understanding of non-substantiality of everything leads us to peace. Some of works of Kapoor are present the emptiness of names, subjects, objects, and substances. By the way he make us to experience 'the Middle Way', the peace.

영어초록

This essay aims to interpret the works of Anish Kapoor by the concept of 'Emptiness' which is one of the core concept of Mahajana Buddhism. The concept of 'emptiness'had developed by Nagarjuna who was a Mahajana Buddhist scholar through the theory of middle way. Nagarjuna insisted that the 'emptiness' of the being should be explained by middle way only, why the 'emptiness' is neither object nor non-oject. The main phrase of Paramita Sutra, 'the emptiness is objectness, the objectness is emptiness' has been considered as a epigram which expresses a truthful reality of being.
A series of works of Anish Kapoor which are made of mirror surface, <Cloud Gate>, <Sky Mirror>, <Vertigo> etc.
can be interpreted by the Mahajana Buddhist concept of 'emptiness', the reason why they arouse a ambiguous perception, neither of objectness nor non-objectness. Actually Anish Kapoor have been a Buddhist, he had made the work in the name of <Void Field>. Hommi Bhabha insisted that a series of works of Kapoor aimed to 'making emptiness' by arousing the doubt of identity of works to the spectators.
Many of Kappors works have the uncertainty and non-determinancy of identity. For exemple, in <1000 names>,spectators can't discern the identity which is made by a heap of colour powder or painted colour surface. In <Svayambh>, it is uncertain who makes the works. In <Marsyas>, it is uncertain where is inside or outside. The ambiguity of perception leads the spectator to doubt to the commonly perception, and then to the emptiness of the meaning of names, the emptiness of the commonly judgement, and the emptiness of subject of judgement.
Mahajana Buddhist teaches 'there is no subject in sensation, perception, representation, action, conscience','there is no subject in Dharma(universal law).' The man who gains enlightenment have not attachment anymore and anywhere, he frees from pain of life, he lives in peace. The core guidance of Majajana Buddhism is '4 holy law', that is 'pain-attachment-elimination-nirvana', that is who can understand the truth which the pain is aroused by attachment, therefore to eliminate the attachment, he reach the nirvana(peace). The root of attachment is illusion; there is a substantial subject, there is a substantial object. The deep understanding of non-substantiality of everything leads us to peace. Some of works of Kapoor are present the emptiness of names, subjects, objects, and substances. By the way he make us to experience 'the Middle Way', the peace.

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