마키무라 코(槇村浩) 시에 나타난 <하위주체> 연구 - 「살아있는 총가」「간도빨치산의 노래」를 중심으로 - (A Study of Subaltern in Ko Makimura’s Poetry - Focused on A Living Gun Rest and Kando Partisan’s Song -)

서지정보

· 발행기관 : 한국외국어대학교 일본연구소
· 수록지 정보 : 일본연구 / 91호 / 125 ~ 146페이지
· 저자명 : 박상도

초록

本稿では槇村浩の代表作である「生ける銃架」「間島パルチザンの歌」に現れた<下位 主体>に関する考察を行った。社会の巨大な他者の観点と言語によって歪曲され、消えていった人たちの内面の声を代弁する役割を果たしたプロレタリア詩人の作品を通して<下位主体>の内面の声をどのように形象化したかについて分析した。 考察の内容を簡略にまとめてみると、まず、「生ける銃架」は革命精神と国際連帯と いう本質的なところは正確に表現されていたものの、<下位主体>の立場から考えてみたとき、対象の実体が不確かで模糊な側面があるところを確認した。下位主体の二重のアイデンティティーの葛藤と克服過程が前提されない限り、共感しにくいところがあった。しかし、2ヶ月後に書かれた「間島パルチザンの歌」では、限界として指摘されていた点が克服されていた。朝鮮人の少年から成長したパルチザンという<下位主体>の立場から<主体性の形成>過程が自然に表現され、詩人の革命精神と国際連隊のメッセージが効果的に伝えられたと見なされる。老人と女性、男性、少年に表現される植民地の抑圧される階層と疎外され差別されている咸鏡地方の発言権を持てない<下位主体>の明確な観点を提示したのである。

영어초록

This study analyzed the subaltern represented in Ko Makimura’s representative works A Living Gun Rest and Kando Partisan’s Song. This study analyzed and considered how the inner voice of the subaltern was given shape in detail through the works of a representative proletarian poet, who played the role of representing their inner voice that was thinned and banished by the perspective and language of the great other in society.
The analyzed contents can be summarized as follows: First, it was confirmed in A Living Gun Rest that the spirit of revolution and international solidarity are accurately expressed in terms of their essence, but the true nature of the subject depicted in the work is inevitably unclear and obscure when the viewpoint of the subaltern is taken into account. It was found that there are parts that are hard to empathize with when consideration for the subaltern’s conflict of dual identity and the process of overcoming such conflict, that is, the process called ‘formation of subjectivity,’ is not assumed. However, it was confirmed that these limitations are overcome in Kando Partisan’s Song, written two months later. It appears that the poet’s revolutionary mind and the message of international solidarity are effectively conveyed because the detailed process of formation of subjectivity is naturally expressed from the viewpoint of the subaltern, a partisan who grew up from a Joseon (Korean) boy. The poem presented the clear view of the oppressed class in the colony, represented by the elderly, women, men, and boys, and the marginalized and discriminated subaltern in Hamgyeong area who had no right to speak.

참고자료

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