문혁기 여성을 읽는 다양한 시선 - 5편의 중국영화를 중심으로 (Various Perspectives on the Women in the Cultural Revolution : A Close Examination of Five Chinese Films)

서지정보

· 발행기관 : 중국어문학연구회
· 수록지 정보 : 중국어문학논집 / 91호 / 467 ~ 492페이지
· 저자명 : 하경심

초록

Coming Home(歸來)(2014) is the representative Fifth Generation Director, Zhang Yimou(張藝謨)'s special dedication for the Cultural Revolution generation. Nearly 40 years having passed, still the Revolution is a unsettled memory. Especially for the filmmakers who had been children or young adults during the Revolution, the wound of the Revolution has not closed, or rather it becomes more conspicuous. In this context, this paper compares and contrasts Hibiscus Town(芙蓉鎭), The Blue Kite(藍風箏), The Road(芳香之旅), The SentDown Girl(天浴), and Coming Home(歸來) with the special emphasis on directors' interpretations of the Revolution and the women in the Revolution. Through the illumination of the women's hardships in the period, this paper highlights the most delicate wound imaginable people in the period could suffer. In these films, women who had to part from their family or lovers, girls defenseless against sexual violences and harassments, women without any freedom of choices, and finally women looking their wound away through forgetfulness appear. Each film had been made in the different period respectively from the 1980s to this year. This paper examines how the perspectives on the women in the Revolution differ according to the atmosphere of the time each film was made, how they were represented in each film, and finally how the Third to Sixth Generation directors' tendencies have evolved.

영어초록

Coming Home(歸來)(2014) is the representative Fifth Generation Director, Zhang Yimou(張藝謨)'s special dedication for the Cultural Revolution generation. Nearly 40 years having passed, still the Revolution is a unsettled memory. Especially for the filmmakers who had been children or young adults during the Revolution, the wound of the Revolution has not closed, or rather it becomes more conspicuous. In this context, this paper compares and contrasts Hibiscus Town(芙蓉鎭), The Blue Kite(藍風箏), The Road(芳香之旅), The SentDown Girl(天浴), and Coming Home(歸來) with the special emphasis on directors' interpretations of the Revolution and the women in the Revolution. Through the illumination of the women's hardships in the period, this paper highlights the most delicate wound imaginable people in the period could suffer. In these films, women who had to part from their family or lovers, girls defenseless against sexual violences and harassments, women without any freedom of choices, and finally women looking their wound away through forgetfulness appear. Each film had been made in the different period respectively from the 1980s to this year. This paper examines how the perspectives on the women in the Revolution differ according to the atmosphere of the time each film was made, how they were represented in each film, and finally how the Third to Sixth Generation directors' tendencies have evolved.

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