『만요슈』의 매화가 고찰 (Interpretation of Poems of Japanese Apricot Flowers in Manyoshu)

서지정보

· 발행기관 : 한국일어일문학회
· 수록지 정보 : 일어일문학연구 / 115권 / 243 ~ 260페이지
· 저자명 : 구정호

초록

本稿は『万葉集』に所収された梅を素材とした和歌を分析して『万葉集』における梅花歌の性質を考察した。AD 8世紀初、漢土から流入した梅は日本の文人たちに好まれたものである。日本の梅花歌は中国の梅花詩の影響を受けたもので、『詩経』の「摽有梅」から鮑照の「梅花落」に次いでいく梅花詩のながれは日本においてもそのまま享有され、さらにそれを日本的情緒に変容発展していった。『万葉集』の梅花歌の中でも中国の漢詩に見られるように、梅の実が求婚を象徴するものとして詠まれていてそのうえ、梅花の開花が女性の性的成熟に譬えて詠んでいたことがわかった。それから『万葉集』の巻八と巻十に所収された梅花歌を検討した結果、巻八と巻十の春歌部の梅花は開花を詠んでいて内容的には主に雪中梅をテーマにしている反面、冬歌部に所収された歌の場合は主に梅花落をテーマにする傾向が見えてきた。

영어초록

This study focuses on Waka singing Japanese apricot flowers to understand characteristics of poems of flowers of Japanese apricot in Manyoshu.
The Japanese apricot flowers are originally from China and they date back to 8th Century A.D. . and many Many Japanese writers loved it just as Chinese writers did. Historically, poems of Japanese apricot flowers had been influenced by Chinese poems.
Japanese writers of the era accepted literature style of Biào you méi’ in the Book of Odes and Méi huā luò in Pozo and developed their own style, with their original Japanese emotions.
In Manyoshu, flowers of apricot were used to describe proposal of marriage. Furthermore, the full bloom of this flower was interpreted as the maturity of women, an important element to enhance the meaning of marriage proposal.
The eighth and tenth chapter of Manyoshu include the songs of four seasons. Through the study, the researcher discovered the spring songs of Waka. These two chapters mainly includes Xuězhōngméi and full bloom of apricot flowers while the winter songs mainly deals with Méi huā luò.

참고자료

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