이백의 대표 악부시 역해 — ＜장진주＞와 ＜행로난＞을 중심으로 (The Translation and Commentary on Libai’s Representative Yuefushi: Focusing on Qiangjinjiu and Xinglunan)

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초록

In this paper, among the works representing Libai’s Yuefushi, three of Qiangjinjiu and Xinglunan were targeted and accurate annotations were made based on past and modern research results. It also tried to derive the theme contained in the poem. First, Qiangjinjiu was written in the 24th year of Kaiyuan (736) when he visited Yuandanqiu of Chongshan. On the surface, this poem seems to express the idea of so-called “enjoying at the peak” that is often seen in the poem of Ibaek in a very favorable energy and freedom. However, it is understood that there is a lament that he first went to Chang-an and returned without any income, that is, a sigh of his own condition that has talent but has not been used.
Meanwhile, all three numbers of Xinglunan have different creative periods. The first number expressed dissatisfaction with cloudy real politics and eventually showed a healthy spirit of finding hope. The second number expresses resentment in a situation where all talented talents are being selected and only he cannot be appointed. Third, Sue is singing about Dalgwan, who will no longer dwell on the government post and step down wisely. In the end, the poem singing “The way to go is rough” includes both the difficulties of life and the difficulties of the political path.

영어초록

In this paper, among the works representing Libai’s Yuefushi, three of Qiangjinjiu and Xinglunan were targeted and accurate annotations were made based on past and modern research results. It also tried to derive the theme contained in the poem. First, Qiangjinjiu was written in the 24th year of Kaiyuan (736) when he visited Yuandanqiu of Chongshan. On the surface, this poem seems to express the idea of so-called “enjoying at the peak” that is often seen in the poem of Ibaek in a very favorable energy and freedom. However, it is understood that there is a lament that he first went to Chang-an and returned without any income, that is, a sigh of his own condition that has talent but has not been used.
Meanwhile, all three numbers of Xinglunan have different creative periods. The first number expressed dissatisfaction with cloudy real politics and eventually showed a healthy spirit of finding hope. The second number expresses resentment in a situation where all talented talents are being selected and only he cannot be appointed. Third, Sue is singing about Dalgwan, who will no longer dwell on the government post and step down wisely. In the end, the poem singing “The way to go is rough” includes both the difficulties of life and the difficulties of the political path.

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