2000년대 영화의 장소 기반 서사 <사랑해, 파리> (A Narrative Based on Place in Paris, I Love You (Paris, Je T’Aime))

서지정보

· 발행기관 : 문학과영상학회
· 수록지 정보 : 문학과 영상 / 9권 / 1호 / 111 ~ 130페이지
· 저자명 : 송미선, 류철균

초록

Cinema has been called the art of time. However, after space studies on some films such as Green Fish (1997) and Take Care of My Cat (2001) in the early 2000s, space has become meaningful in cinema not only as background of the story, which was mentioned by Seymour Chatman, but also as motives leading the story. Paris, I Love You (Paris, Je T'Aime) (2005) is composed of 18 different stories, each of which runs for 5 minutes. Especially, this film is different from others which narrate the story according to time. This is the main reason why we selected this film for our study.
This article contains two theories related to the concept of space. First, according to Tuan, space is meaningful because it reminds people of memories that they experienced there. Second, Hartmann argues that space in the real world means just a restriction, which allows all substances to reveal themselves in it. If Hartmann’s concept of space adds fancy and imagination to Tuan’s, the concept of space can reflect something more on the narration than the sense of place can.
Chapter three of this article analyzes the characters and motives of the film based on this concept of space. The 18 episodes of this film show us Paris, the city of love, telling us the history, society and culture of each place. This article selects six episodes in the film and finds out the motives of homosexuality, journey and quarrels all melted in the film.
In addition, this article shows that the narrative power of a film becomes stronger when people know some famous places and those knowledges inspire some imagination in their minds. This article shows that space in films acts not only as the background of the story but also as the motives leading the story itself.

영어초록

Cinema has been called the art of time. However, after space studies on some films such as Green Fish (1997) and Take Care of My Cat (2001) in the early 2000s, space has become meaningful in cinema not only as background of the story, which was mentioned by Seymour Chatman, but also as motives leading the story. Paris, I Love You (Paris, Je T'Aime) (2005) is composed of 18 different stories, each of which runs for 5 minutes. Especially, this film is different from others which narrate the story according to time. This is the main reason why we selected this film for our study.
This article contains two theories related to the concept of space. First, according to Tuan, space is meaningful because it reminds people of memories that they experienced there. Second, Hartmann argues that space in the real world means just a restriction, which allows all substances to reveal themselves in it. If Hartmann’s concept of space adds fancy and imagination to Tuan’s, the concept of space can reflect something more on the narration than the sense of place can.
Chapter three of this article analyzes the characters and motives of the film based on this concept of space. The 18 episodes of this film show us Paris, the city of love, telling us the history, society and culture of each place. This article selects six episodes in the film and finds out the motives of homosexuality, journey and quarrels all melted in the film.
In addition, this article shows that the narrative power of a film becomes stronger when people know some famous places and those knowledges inspire some imagination in their minds. This article shows that space in films acts not only as the background of the story but also as the motives leading the story itself.

참고자료

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