따산즈(大山子)예술촌과 베이징의 도시문화 아이콘 (Dashanzi Art-Cluster and Beijing City Culture Icon)

서지정보

· 발행기관 : 동북아시아문화학회
· 수록지 정보 : 동북아 문화연구 / 1권 / 17호 / 221 ~ 248페이지
· 저자명 : 김태만

초록

Dashanzi, the center of a vanguard art in Chaoyang district Beijing, is the largest synthetic art in Asia; it draws tens of thousands of viewers in everyday and three hundred of thousand viewers during the art festival. The government of Beijing presented that they would develop this region as the greatest Culture-Art industry Cluster in the world. It also is the route of understanding the present address in Chinese art development, shows its ability at the greatest of the vanguard art in Asia.
Chinese society had turned a command economy to a free-market economy in early 1990’s. Some of young artists who graduated from art academy; for example Fanglijun, Yueminjun, Yangshaobin, Xuluotao, Lulin, Dingfang, Yiling, Xuyihui, naturally formed an art colony. This art colony what we are saying is ‘Beijing Dashanzi 798 Yishucun’. The reason why 798 yishucun comes into the spotlight was directly connected in the change of industrial structure, which had turned light and heavy industry to culture industry since 1990. The development of metropolis is accompanied with a plural culture; this is the very attraction of a city. After the development of rural economy and the change of industry structure, we remodel many of old buildings into reusable ones, the role of city could be resurrected.

영어초록

Dashanzi, the center of a vanguard art in Chaoyang district Beijing, is the largest synthetic art in Asia; it draws tens of thousands of viewers in everyday and three hundred of thousand viewers during the art festival. The government of Beijing presented that they would develop this region as the greatest Culture-Art industry Cluster in the world. It also is the route of understanding the present address in Chinese art development, shows its ability at the greatest of the vanguard art in Asia.
Chinese society had turned a command economy to a free-market economy in early 1990’s. Some of young artists who graduated from art academy; for example Fanglijun, Yueminjun, Yangshaobin, Xuluotao, Lulin, Dingfang, Yiling, Xuyihui, naturally formed an art colony. This art colony what we are saying is ‘Beijing Dashanzi 798 Yishucun’. The reason why 798 yishucun comes into the spotlight was directly connected in the change of industrial structure, which had turned light and heavy industry to culture industry since 1990. The development of metropolis is accompanied with a plural culture; this is the very attraction of a city. After the development of rural economy and the change of industry structure, we remodel many of old buildings into reusable ones, the role of city could be resurrected.

참고자료

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