명말 청초 文宗 전겸익 시 意象의 通과 變(1) — ≪投筆集≫장법 구조의 계승 및 창신을 중심으로 (The Succession and Innovation of Images of Qian Qianyi, Progenitor of Chinese Literature in the Late Ming and Early Qing Dynasty: Focused on the Succession and Innovation of the Sentence Composition o)

서지정보

· 발행기관 : 중국어문연구회
· 수록지 정보 : 중국어문논총 / 112호 / 225 ~ 252페이지
· 저자명 : 박유빈

초록

Qian qianyi(錢謙益)’s Toubi ji is a large series of poems in which Dufu’s “qiuxing(秋興八首)” is a response poems. In “qiuxing(秋興八首)”, he analyzed the formal structure, theme, and emotion of the poem and reflected it in the creation of Toubi ji.
Therefore, we systematically visualized the format structure of Toubi ji by measuring the frequency of appearance of the poetic image used in Toubi ji and deriving the ‘image combination’ method of high frequency image, and schematizing its representative model.
As a result, as discussed in Chapter 2, the systematic aspect structure of Toubi ji could be confirmed, and it could be proved that this was the inheritance and creation of the formal structure of “qiuxing(秋興八首)”. In addition, as discussed in Chapter 3, it was confirmed that the image combination in the form of ‘text+a rhyming word’ completed the organically connected costume structure to find the theme of the poem and the poet’s emotions based on the flow of the horizontal and vertical axes in the entire poem.
For example, it was confirmed that the costumes of ‘翁’ were not simply arranged in combination according to the constraints of Chaun-si, but were arranged in combination along the flow of eight poems, that is, the central events covered by 1 to 13 horizontal axes.
In Chapter 4, using ‘Allusion and image’, ‘image’, which results in ‘one subject’, was placed within the formalized form of ‘the Tang Dynamic modern style poetry’. This is an original poem creation method to overcome the disadvantages of archaism, which was a problem in the creation of the Ming dynamic’s poem.

영어초록

Qian qianyi(錢謙益)’s Toubi ji is a large series of poems in which Dufu’s “qiuxing(秋興八首)” is a response poems. In “qiuxing(秋興八首)”, he analyzed the formal structure, theme, and emotion of the poem and reflected it in the creation of Toubi ji.
Therefore, we systematically visualized the format structure of Toubi ji by measuring the frequency of appearance of the poetic image used in Toubi ji and deriving the ‘image combination’ method of high frequency image, and schematizing its representative model.
As a result, as discussed in Chapter 2, the systematic aspect structure of Toubi ji could be confirmed, and it could be proved that this was the inheritance and creation of the formal structure of “qiuxing(秋興八首)”. In addition, as discussed in Chapter 3, it was confirmed that the image combination in the form of ‘text+a rhyming word’ completed the organically connected costume structure to find the theme of the poem and the poet’s emotions based on the flow of the horizontal and vertical axes in the entire poem.
For example, it was confirmed that the costumes of ‘翁’ were not simply arranged in combination according to the constraints of Chaun-si, but were arranged in combination along the flow of eight poems, that is, the central events covered by 1 to 13 horizontal axes.
In Chapter 4, using ‘Allusion and image’, ‘image’, which results in ‘one subject’, was placed within the formalized form of ‘the Tang Dynamic modern style poetry’. This is an original poem creation method to overcome the disadvantages of archaism, which was a problem in the creation of the Ming dynamic’s poem.

참고자료

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