1950년대 전반기 서정주 시에 관한 일고 (A Study on the Poetry of Suh Jung-ju Written During the Early 1950s)

서지정보

· 발행기관 : 한국비평문학회
· 수록지 정보 : 비평문학 / 38호 / 141 ~ 166페이지
· 저자명 : 김익균

초록

The majority of the preceding studies regulate the core of poetry by Suh Jungju to be eternity. There have been numerous critical assertions that the element of eternity in Suh's poetry is lacking in reality. His eternity has been interpreted as a kind of response the socio-historical reality of the 1950s. And yet such eternity is still interpreted to be abstract, and the relation of Suh's poetry with eternity has not been sufficiently defined.
This study aims at explaining such a problem in terms of placeness related with his poetry written during the early 1950s. Pains, the poet had undergone through the experiences of taking refuges twice, were resolved through the placeness of his poetry. In that the essence of place is "unconscious intentionality," his poems depicting "the special experience of being in a certain place" can be said to have been born prior to 'the planning of eternity.' The achievement of Suh's poetry during the 1950s lies in that he transformed the contemporary socio-historical experiences into concrete ones through the personal experience of places. Suh Jungju not only cured himself through poems but performed a poetic ritual to regenerate the desolate places of the contemporary age.
First, it is confirmed that the pains which Suh Jungju went through during the war, and the problems he experienced after the war were represented by his being deprived of places. Secondly, the procedure of overcoming pains in Yeongdo, Busan during the first refugee period is found in the "Yeongdo Journal Part 1." The narrator of the poems was confirmed to have overcome the conflict with the place of Yeongdo. Suh had already experienced the conflict with a place in Daegu, and the pains were repeated in Yeongdo, Busan. Third, "Looking at the Mt. Mudeung" is the representing work written during the second refugee period. This thesis analyzes the placeness that the poetic speaker experienced. This poem was written in the place where the poet surpassed the conflict he had experienced in Yeongdo. An aloof pretender, who sounded as if he had forgotten about the war, asked the community people to let themselves stay in the continuity of placeness. It has the ritual characteristics of recovering the relationship with places destroyed in the war. Such elements of a ritual endow meanings on the temporal continuity which is the common features of places, and they seem to have relations with the sense of eternity which will be remarkable in his later poetry. Fourth, "Haze" reveals that the placeness found in "Looking at the Mt. Mudeung" is extended to the places of daily life. Fifth, "Humble Stay in Jeonju" was written in the almost same period as "Looking at the Mt. Mudeung" was. They are similar in that both of them were written in the tone of having pretended as if the war had been forgotten in their places. Difference is that the sense of community was deleted in the "Humble Stay in Jeonju," which could be seen in "Looking at the Mt. Mudeung." Also, the former was carried in the Dongcheon collection 12 years later than the latter. It is noteworthy that the "Humble Stay in Jeonju" already possessed the characteristics of eternity that Suh Jungju's poetry retains. It could be evaluated as a poem combining the poetry of the 1950s with that of thereafter in that it shares the characteristics of placeness that Suh's poetry of the 1950s has, showing the elements of eternity as well.
When the poems of Suh Jungju, composed during the 1950s, are examined in terms of placeness which the poetic speaker has experienced, concrete relations with the contemporary socio-historical context can be found. It is also meaningful in that the poems can be understood, combined with their physicality. This thesis expects such an attempt will prove a foundation for discussing more strictly the relationship with eternity, which becomes an outstanding characteristic of later poems.

영어초록

The majority of the preceding studies regulate the core of poetry by Suh Jungju to be eternity. There have been numerous critical assertions that the element of eternity in Suh's poetry is lacking in reality. His eternity has been interpreted as a kind of response the socio-historical reality of the 1950s. And yet such eternity is still interpreted to be abstract, and the relation of Suh's poetry with eternity has not been sufficiently defined.
This study aims at explaining such a problem in terms of placeness related with his poetry written during the early 1950s. Pains, the poet had undergone through the experiences of taking refuges twice, were resolved through the placeness of his poetry. In that the essence of place is "unconscious intentionality," his poems depicting "the special experience of being in a certain place" can be said to have been born prior to 'the planning of eternity.' The achievement of Suh's poetry during the 1950s lies in that he transformed the contemporary socio-historical experiences into concrete ones through the personal experience of places. Suh Jungju not only cured himself through poems but performed a poetic ritual to regenerate the desolate places of the contemporary age.
First, it is confirmed that the pains which Suh Jungju went through during the war, and the problems he experienced after the war were represented by his being deprived of places. Secondly, the procedure of overcoming pains in Yeongdo, Busan during the first refugee period is found in the "Yeongdo Journal Part 1." The narrator of the poems was confirmed to have overcome the conflict with the place of Yeongdo. Suh had already experienced the conflict with a place in Daegu, and the pains were repeated in Yeongdo, Busan. Third, "Looking at the Mt. Mudeung" is the representing work written during the second refugee period. This thesis analyzes the placeness that the poetic speaker experienced. This poem was written in the place where the poet surpassed the conflict he had experienced in Yeongdo. An aloof pretender, who sounded as if he had forgotten about the war, asked the community people to let themselves stay in the continuity of placeness. It has the ritual characteristics of recovering the relationship with places destroyed in the war. Such elements of a ritual endow meanings on the temporal continuity which is the common features of places, and they seem to have relations with the sense of eternity which will be remarkable in his later poetry. Fourth, "Haze" reveals that the placeness found in "Looking at the Mt. Mudeung" is extended to the places of daily life. Fifth, "Humble Stay in Jeonju" was written in the almost same period as "Looking at the Mt. Mudeung" was. They are similar in that both of them were written in the tone of having pretended as if the war had been forgotten in their places. Difference is that the sense of community was deleted in the "Humble Stay in Jeonju," which could be seen in "Looking at the Mt. Mudeung." Also, the former was carried in the Dongcheon collection 12 years later than the latter. It is noteworthy that the "Humble Stay in Jeonju" already possessed the characteristics of eternity that Suh Jungju's poetry retains. It could be evaluated as a poem combining the poetry of the 1950s with that of thereafter in that it shares the characteristics of placeness that Suh's poetry of the 1950s has, showing the elements of eternity as well.
When the poems of Suh Jungju, composed during the 1950s, are examined in terms of placeness which the poetic speaker has experienced, concrete relations with the contemporary socio-historical context can be found. It is also meaningful in that the poems can be understood, combined with their physicality. This thesis expects such an attempt will prove a foundation for discussing more strictly the relationship with eternity, which becomes an outstanding characteristic of later poems.

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