천리마시대 북한 시의 서정적주인공 (The lyrical main character in North Korean poems during the era of Chollima)

서지정보

· 발행기관 : 단국대학교(천안캠퍼스) 한국문화기술연구소
· 수록지 정보 : 한국문화기술 / 12권 / 1호 / 123 ~ 145페이지
· 저자명 : 조안나, 김수복

초록

In a poem, there exist a speaker, hearer and the poet and readers outside the poem.
At this moment, the person who speaks in a poem is called a speaker, or poetic speaker, and in North Korea, people are using the term of ‘a lyrical main character’ to refer to the speaker. Giving an eye to this point, this writing is intending to look into the relationship between a poet and poetic speaker centering on the ‘lyrical main character’ manifested in North Korean poems during the era of Chollima Movement.
In addition, this study explored the lyrical main character by limiting a period to the era of the so-called Chollima. The hitherto research on North Korean poems has been concentrated on the study into lyrical poems in general, or poetic properties mostly targeting the Korean War, or the liberation period and the 1990s. In a bid to overcome the limitations like the existing researches on the poems in North Korea have been concentrated in a specific era, and engaged in a monotonous analysis of them, this study looked at the North Korean poems by choosing the limitative period of the era of Chollima.
First, this study explored the recognition attitude towards the terms of ‘Lyrical poem’, ‘Poet’, and ‘Poetic speaker’ in North Korea.
According to the meaning marked in 『Dictionary of Literature & Arts』, North Korea seems to guarantee literary feelings, but in reality, they put restrictive conditions that all art works should express the ideology and the spirit of the times of North Korea.
Next, this study looked into how the poetic speaker is exposed in actual poems through 『Chosun Munhak』. The lyrical main character can be roughly into three sorts, i.e. the main character which is suggested as ‘I’ in a poe, an observer who delivers a narration, and a central character in a poem though not specified as ‘I.’ These lyrical main characters carry out various role respectively like pride as a worker, and aspects of supplying information of the era of Chollima, etc.
Lastly, this study briefly looked into why they sing lyricism in the era of Chollima which is in need of work. From their position, it can be said that work must be fierce for certain, but the aimed work during the era of Chollima is what they should definitely achieve, and also their goal of life. That’s why there exist beauty and tragic properties together in work of this period. Therefore, this study makes a cautious conjecture that they might be using lyricism with more emphasis in an effort to cover up such a tragedy.

영어초록

In a poem, there exist a speaker, hearer and the poet and readers outside the poem.
At this moment, the person who speaks in a poem is called a speaker, or poetic speaker, and in North Korea, people are using the term of ‘a lyrical main character’ to refer to the speaker. Giving an eye to this point, this writing is intending to look into the relationship between a poet and poetic speaker centering on the ‘lyrical main character’ manifested in North Korean poems during the era of Chollima Movement.
In addition, this study explored the lyrical main character by limiting a period to the era of the so-called Chollima. The hitherto research on North Korean poems has been concentrated on the study into lyrical poems in general, or poetic properties mostly targeting the Korean War, or the liberation period and the 1990s. In a bid to overcome the limitations like the existing researches on the poems in North Korea have been concentrated in a specific era, and engaged in a monotonous analysis of them, this study looked at the North Korean poems by choosing the limitative period of the era of Chollima.
First, this study explored the recognition attitude towards the terms of ‘Lyrical poem’, ‘Poet’, and ‘Poetic speaker’ in North Korea.
According to the meaning marked in 『Dictionary of Literature & Arts』, North Korea seems to guarantee literary feelings, but in reality, they put restrictive conditions that all art works should express the ideology and the spirit of the times of North Korea.
Next, this study looked into how the poetic speaker is exposed in actual poems through 『Chosun Munhak』. The lyrical main character can be roughly into three sorts, i.e. the main character which is suggested as ‘I’ in a poe, an observer who delivers a narration, and a central character in a poem though not specified as ‘I.’ These lyrical main characters carry out various role respectively like pride as a worker, and aspects of supplying information of the era of Chollima, etc.
Lastly, this study briefly looked into why they sing lyricism in the era of Chollima which is in need of work. From their position, it can be said that work must be fierce for certain, but the aimed work during the era of Chollima is what they should definitely achieve, and also their goal of life. That’s why there exist beauty and tragic properties together in work of this period. Therefore, this study makes a cautious conjecture that they might be using lyricism with more emphasis in an effort to cover up such a tragedy.

참고자료

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