양백화의 비평담론 연구 - 중국신문화운동론의 수용과 관련하여 (A Study on Yang Baek Hwa's Critical Discourse)

서지정보

· 발행기관 : 한국비평문학회
· 수록지 정보 : 비평문학 / 31호 / 193 ~ 216페이지
· 저자명 : 민병욱

초록

This paper aims to study Yang Baek Hwa's Critical Discourse and substitute the result for the conclusion.
1) He thinks an artist as a genius, a literary work of art as a gifted exceptional imagination, and emphasize artist's sprit. His view is romantical Humanism.
2) His critical frame of reference is article totality on the basis of formal aesthetics, and the first standard is the right usage of Korean Language.
3) For the development of Chosun Literature, he translates and accepts Modern Chinese Literature, especially The New Culture Movement. He prescribe The Movement as Literary Revolution, the identity of the written and spoken language.
4) Through New Culture Movement, he stresses the need of formal aesthetics and the creation of ideal world.
5) He distinguish the discovery/decadence of human being from the new Literature/ the old Literature, and bitterly criticizes romantical proletarian literature,
maintains the article totality of Literature itself.
6) As a romantical humanist, He accepts the New Culture Movement of China and asks for total Works in Chosun Lireature
Finally this paper is yet to look into the effect relation of New Culture Movement , especially the effect relation of Chinese traditional theatre and modern western theatre, Korean theatre and Chinese theatre.

영어초록

This paper aims to study Yang Baek Hwa's Critical Discourse and substitute the result for the conclusion.
1) He thinks an artist as a genius, a literary work of art as a gifted exceptional imagination, and emphasize artist's sprit. His view is romantical Humanism.
2) His critical frame of reference is article totality on the basis of formal aesthetics, and the first standard is the right usage of Korean Language.
3) For the development of Chosun Literature, he translates and accepts Modern Chinese Literature, especially The New Culture Movement. He prescribe The Movement as Literary Revolution, the identity of the written and spoken language.
4) Through New Culture Movement, he stresses the need of formal aesthetics and the creation of ideal world.
5) He distinguish the discovery/decadence of human being from the new Literature/ the old Literature, and bitterly criticizes romantical proletarian literature,
maintains the article totality of Literature itself.
6) As a romantical humanist, He accepts the New Culture Movement of China and asks for total Works in Chosun Lireature
Finally this paper is yet to look into the effect relation of New Culture Movement , especially the effect relation of Chinese traditional theatre and modern western theatre, Korean theatre and Chinese theatre.

참고자료

· 없음